I used my normal reduced palette for this painting. Cobalt Blue, Quinacridone Gold, Sap Green, Burnt Sienna, Burnt Umber and Sepia.
I'll be pleased to get back to using raw sienna again. I'm only using the quinacridone mixed with a touch of burnt sienna, because Winsor and Newton have had problems producing a raw sienna that does not create froth. It can really mess with the painting because the bubbles dry as little dark specks, and I'm almost certain it has an effect on the absorbency of the painting surface.
Anyway, I'm relatively pleased with how this one turned out and I look forward with anticipation to the next one.